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Bibliographies and images

Hull Repertory Theatre 1928-1929 A BIBLIOGRAPHY FOR RESEARCHING REPERTORY THEATRES

A History of the Liverpool Repertory Theatre: Artistes’ and Staff’s Commonwealth, September 1914-April 1915, Liverpool, For the Commonwealth, 1915.

A Policy for the Arts: The First Steps, London, Her Majesty’s Stationery Office, February 1965, [Cmnd.2601].

A., - R.N.G., (ed.), The Book of Martin Harvey, London, Henry Walker, 1928.

Agate, James, Essays on the Theatre, London, W. Collins, 1917.

Agnew, Denis, Contexts and concepts of a Scottish national theatre, Ph.D thesis, Edinburgh, Queen Margaret University College, 2000.

Allen, Mary and Howard Webber, Incentive Funding, The First Year, London, Arts Council of Great Britain, 1989.

Appleton, Ian, An Enquiry into the Provision of Leisure Facilities in Edinburgh, Ph.D thesis, Edinburgh, University of Edinburgh, 1980.

Appleyard, Brian, The Culture Club: Crisis in the Arts, London, Faber, 1984.

Manchester Repertory Theatre Archer, William and H. Granville Barker, A National Theatre, Scheme & Estimates, London, Duckworth & Co., 1907.

Archer, William, About The Theatre, Essays and Studies, London, Fisher Unwin, 1888.

————, The Old Drama and the New, London, William Heinemann, 1923.

Arnold, Matthew, Irish Essays, London, Smith Elder, 1891.

Arts & Business, Annual Report 1998-1999, London, Arts & Business, 1999.

Arts Council of England National Lottery, Pilot Stabilisation Programme: Guidelines for Applicants, London, Arts Council of England, August 1996.

Arts Council of England, The National Policy for Drama in England, London, Arts Council of England, July 2000.

————, The Next Stage: Towards a New Policy for Drama in England, London, Arts Council of England, May 2000.

Arts Council of Great Britain, Glory Reflected: A Progress Report on The Glory of the Garden, London, Arts Council of Great Britain, 1989.

Perth Theatre Company ————, Partnership. Making arts money work better, London, Arts Council of Great Britain, 1986.

————, Policy into Practice: 20th Annual Report 1964-65, London, Arts Council of Great Britain, 1965.

————, Research Report No. 7: Attendances at Repertory Theatres Outside London, 1974-75, London, Arts Council of Great Britain, 1976.

————, The Theatre Today in England and Wales: The Report of the Arts Council Theatre Enquiry, 1970, London, Arts Council of Great Britain, London, 1970.

————, Training Arts Administrators, Report of the Committee of Enquiry into Arts Administration Training, London, Arts Council of Great Britain, 1971.

Arts Training Network, AM98 Directory. Arts management courses and programmes in higher and further education, Falmer, University of Sussex, Arts Training South, 1998.

Ashwell, Lena, The Stage, London, Geoffrey Bles, 1929.

Bailey, John, A Theatre for All Seasons: Nottingham Playhouse, The First Thirty Years, 1948-1978, Stroud, All Sutton Publishing, 1994.

Festival Theatre Cambridge 1931 Baird, George, Edinburgh Theatres, Cinemas and Circuses 1820-1963, Edinburgh, For the Author, 1964.

Bannister, Winifred, James Bridie and His Theatre, London, Rockliff, 1955.

Baird, Heather, (ed.), Proposal for a National Theatre for Scotland, [with supplement: Modelling the Future], Edinburgh, Federation of Scottish Theatre, 2000.

Barker, Kathleen, The Theatre Royal Bristol, 1766-1966, Two Centuries of Stage History, London, Society for Theatre Research, 1974.

Barnard, Paul, (ed.), Discussion Document on Drama, London, Arts Council of Great Britain National Arts and Media Strategy Unit, August 1991.

Barrett, Wilson, On-Stage for Notes: The Story of the Wilson Barrett Company, Edinburgh, William Blackwood, 1954.

Bassett, Paul, ‘The Low Seat Price Policy at the Citizens’ Theatre, Glasgow’, Journal of Arts Policy and Management, City University, London, 1985, Vol. II. No.1, pp.15-18.

Baumol, William J., and William G. Bowen, Performing Arts: The Economic Dilemma. A Study of the Problems common to Theater, Opera, Music and Dance, Cambridge, MA, M.I.T. Press, 1966.

1919 Magazine of British Drama League Vol 1 No1 Bavin, John, Heart of the City, The Story of Salisbury Playhouse, Salisbury, Salisbury Arts Theatre Company, 1976.

Beerbohm Tree, Herbert, Thoughts and After-Thoughts, London, Cassell and Company, 1913.

Bell, Sam Hannah, The Theatre in Ulster, Dublin and London, Macmillan, 1972.

Bennett, Arnold, ‘The Crisis in the Theatre’, Cupid and Commonsense, London, New Age Press, 1909.

Bennett, Oliver, Cultural Policy and the Crisis of Legitimacy: Entrepreneurial Answers in the United Kingdom, Warwick, Centre for the Study of Cultural Policy, School of Theatre Studies, University of Warwick, June 1996.

Bennett-Keenan, Peter, Colin George, et al, The Crucible: A New Theatre in Sheffield, Sheffield, The New Sheffield Theatre Trust Ltd, 1970.

Benson, Ciáran, Neil Wallace, Helena Kaut-Howson, et al., Views of Theatre in Ireland: Report of the Arts Council Theatre Review, Dublin, An Chomhairle Ealaíonn/The Arts Council, 1995.

Bentham, Frederick, New Theatres in Britain, London, TABS and Rank Strand Electric, 1970.

The Bristol Old Vic Company 1947-1948 First Two Seasons Berkoff, Steven, Free Association, An Autobiography, London, Faber, 1996.

————, Graft, Tales of an Actor, London, Oberon Books, 1998.

Best Value Review of Arts and Cultural Events, Glasgow, Glasgow City Council, May 2001.

Bevan, Fern, Fit-up Theatre, An Oral and Documentary History, Droitwich, Peter Andrew Publishing, 1999.

Billingham, P.G., Theatres of Conscience: a study of four British regional theatre companies 1939-50, Ph.D thesis, Leeds, Leeds University, 1994.

Billington, Michael, The 1998 C.P.Taylor Lecture: British Theatre - Dead or Alive, Newcastle, Theatre Royal Trust Ltd., 29 October 1998.

Birmingham Rep: Business Plan 2000‑2003, Birmingham, Birmingham Repertory Theatre Limited, 2000.

Bishop, G.W., Barry Jackson and the London Theatre, London, Arthur Barker, 1933.

Blythe, Ernest, The Abbey Theatre, Dublin, National Theatre Society, 1964.  

Citizens' Theatre Glasgow 1943 Bonnar Keenlyside, Review of Touring of the Performing Arts and Literature, Edinburgh, Scottish Arts Council, 1992.

————, Study on the Demand for and Potential Remit of a Scottish National Resource, Burntisland, Bonnar Keenlyside, 1994.

Booth, Michael R. and Joel H. Kaplan, (eds), The Edwardian Theatre, Cambridge, Cambridge University Press, 1996.

Borsa, Mario, trans. Selwyn Brinton, The English Stage of To-day, London, John Lane and the Bodley Head, 1908.

Boyden, Peter, Roles and Functions of the English Regional Producing Theatres, Bristol, Peter Boyden Associates, for the Arts Council of England, 2000.

Bradley, David and Roy Wilkie, Conflict in Publicly Subsidised Theatre: An Organisational Analysis, Glasgow, Centre for the Study of Public Policy at the University of Strathclyde, 1980.

————, The Subsidised Theatre, its Organisation and Audience, Glasgow, William Maclellan, 1970.

Edinburgh Gateway Theatre 1958 Brandon-Thomas, “REP”! Six Years With The Brandon-Thomas Seasons, 1930-1936, [Glasgow?], For the company, 1936.

Brereton, Austin, The Life of Henry Irving, London, Longmans Green, 1908. [Two volumes].

Bridges-Adams, W., The British Theatre, London, Longmans Green for The British Council, 1944.

The Bristol Old Vic Company: A Record of Two Seasons, Bristol, Theatre Royal, 1948. 

British Actors Equity, Report of the Theatre Funding Conference at the Tricycle Theatre, Kilburn, 15 February 2000, London, British Actors Equity, April and June 2000, www.equity.org.uk/start_politics.htm

Brown, Ian and Rob Bannen, ‘When Theatre was for All: the Cork Report, after Ten Years’, New Theatre Quarterly, Cambridge, Cambridge University Press, November 1996, Vol. XII, No.28, pp. 367-383.

Bryrne, Dawson, The Story of Ireland’s National Theatre: The Abbey Theatre, Dublin, Dublin, Talbot Press, 1929, New York, Haskell House, 1971.

Bull, John, Stage Right: Crisis and Recovery in British Contemporary Theatre, London, Macmillan, 1994.

Bullock, Christopher, (ed.), Liverpool Playhouse, Diamond Jubilee 1911-1971, Liverpool, Liverpool Repertory Theatre Limited, 1971.

Citrizens' Theatre Glasgow 1964 Bultt, Ferzana, Drama Attendances in England, 1988-1989, 1989-1990, 1991-1991, London, Arts Council of Great Britain, 1991.

Butler, Nicholas, Theatre in Colchester, Colchester, For the author, 1981.

Byrne, Ophelia, The Stage in Ulster from the Eighteenth Century, Belfast, The Linen Hall Library, 1997.

Cairns, Adrian, The Making of the Professional Actor, London, Peter Owen, 1996.

Calder, Angus, Revolving Culture. Notes from the Scottish Republic, London, I.B.Tauris, 1994.

Cameron, Alasdair F., Alfred Wareing and the League of Audiences, MA dissertation, London, City University, 1985.

The Abbey Theatre Dublin ————, The Repertory Theatre Movement, 1907-1917, Ph.D thesis, Warwick, Warwick University, 1983.

Campbell, Donald, Playing for Scotland: A History of the Scottish Stage, 1715-1965, Edinburgh, The Mercat Press, 1996.

Carson, Lionel, (ed.), “The Stage” Guide, London, The Stage Offices, 1912.

Carter, Huntly, The New Spirit in the European Theatre, 1914-1924, London, Ernest Benn, 1925.

Carter, James, Oldham Coliseum Theatre, The First Hundred Years, Oldham, Oldham Leisure Services, 1986.

Casson, Lewis, ‘Miss Horniman’, Drama, London, British Drama League, New Series, Spring 1953, No.28, pp. 19-21.

Chantry, W.H., Theatre Accounts, London, Gee & Co., 1915.

Chisholm, Cecil, Repertory: An Outline of the Modern Theatre Movement, London, Peter Davies, 1934.

Citizens’ Theatre Limited, Profit and Loss Accounts for the Weeks Ending 4 and 11 November 1944, Glasgow, The Citizens’ Theatre Limited, 1944. [Scottish Theatre Archive, Reference GB 247 STA Bridie 396, Record Nos. 17294/5].

————, Information Prospectus, Glasgow, Citizens’ Theatre Limited, 1989.

Mermaid Theatre, London, Trial Season 1951 Cochrane, Claire, ‘Theatre and Urban Space: the Case of Birmingham Rep’, New Theatre Quarterly, Cambridge, Cambridge University Press, May 2000, Vol. XVI, No.62, pp. 137-147.

————, Shakespeare and the Birmingham Repertory Theatre, 1913-1929, London, Society for Theatre Research, 1993.

————, The Birmingham Repertory Company, 1961-1999, Birmingham, Sir Barry Jackson Trust, Forthcoming, 2002.

Coggin, Philip A., Drama and Education, An Historical survey from Ancient Greece to the present day, London, Thames and Hudson, 1956.

Cohen of Birkenhead, Lord, Basil Dean, Maud Carpenter, et al, Liverpool Playhouse, Golden Jubilee, 1911-1961, Liverpool, Liverpool Repertory Theatre Limited, 1961.

Consultative Committee on The Curriculum, Drama in Scottish Schools: a discussion document. Report of the Working Party on Drama appointed by the Secretary of State for Scotland, Edinburgh, Her Majesty’s Stationery Office, 1977.

Cook, Judith, The National Theatre, London, Harrap, 1976.

Prospectus 69 Theatre Company Manchester 1969 Coren, Michael, Theatre Royal: 100 Years of Stratford East, London, Quarter, 1984.

Cork, Kenneth, Theatre is for all: Report of the Enquiry into Professional Theatre in England, London, Arts Council of Great Britain, September 1986.

Corrigan, Denys, The Stirrings in Sheffield, Sheffield, Sheffield Repertory Company, 1971.

Counsell, John, ‘So Who Needs Subsidy, Anyway?’, Scottish Theatre, Inverkeithing, Scottish Theatre, May 1970, Vol.2 No.3, pp.6-8.

————, Counsell’s Opinion, London, Barrie and Rockliff, 1963.

Coveney, Michael, The Citz: 21 Years of the Glasgow Citizens’ Theatre, London, Nick Hern Books, 1990.

Cowell, John, No Profit but the Name: The Longfords and the Gate Theatre, Dublin, O’Brien Press, 1988.

Edward Gordon Craig The Art of the Theatre 1905 Craig, Edward Gordon, On the Art of the Theatre, London, William Heinemann, 1911.

————, The Art of the Theatre, London and Edinburgh, T. N. Foulis, 1905.

————, The Theatre Advancing, London, Constable, 1921.

Craig, Sandy, (ed.), Dreams and Deconstructions: Alternative Theatre in Britain, Ambergate, Amber Lane Press, 1980.

Crane, Muriel, et al, The Theatre and the Local Authority, A Provisional Study of Civic Aided Theatre in the North and Midlands, (1962-1963), Hull, University of Hull and Workers Educational Association, 1964.

Crawford, Iain, Banquo on Thursdays: The Inside Story of 50 Years of the Edinburgh Festival, Edinburgh, Goblinshead, 1997.

Creating Our Future…Minding Our Past, [Scotland’s National Cultural Strategy], Edinburgh, Scottish Executive, 2000.

 

The Gateway Theatre Edinburgh, Prospectus Cover Creigh-Tyte, Stephen and Joanne Gallimore, ‘The UK National Lottery and the Arts: Reflections on the Lottery’s Impact and Development’, International Journal of Arts Management, Montréal, École des Hautes Études Commerciales de Montréal, Université de Montréal, 2000, Vol. 3, No.1, pp. 19-31.

Cruikshank, A. Stewart, Management Book, Edinburgh, Howard & Wyndham Limited, 1933.

Cuthbertson, Ian, Andrew Leigh and Margaret Lyons, (eds), 21: A Conspectus to mark the Citizens’ 21st Anniversary as a Living Theatre in Gorbals Street Glasgow, Glasgow, The Citizens’ Theatre Limited, 1964.

Darroch, George and Catherine Shaw, Cultural Trends in Scotland, London, Policy Studies Institute, in association with the Scottish Arts Council, 1995.

Davies, Andrew, Other Theatres: The Development of Alternative and Experimental Theatre in Britain, London, Macmillan Education, 1987.

Davis, Tracy C., ‘Edwardian management and the structures of industrial capitalism’ in Michael R. Booth and Joel H. Kaplan (eds.), The Edwardian Theatre, Cambridge, Cambridge University Press, 1996, pp. 111-129.

————, ‘Female Managers, Lessees, and Proprietors of the British Stage (to 1914)’, Nineteenth Century Theatre, London, Royal Holloway, University of London, Vol. 28 No.2, Winter 2000, pp. 115-144.

Design Osborne Robinson 1934 A Scene in Illyria, Twelfth Night ———–––, The Economics of the British Stage 1800-1914, Cambridge, Cambridge University Press, 2000.

Dean, Anthony, (ed.), Creative Producing. A User’s Guide, London, Central School of Speech and Drama, 2001.

Dean, Basil, Mind’s Eye, An Autobiography, 1927-1972, London, Hutchinson, 1973.

————, Seven Ages, An Autobiography, 1888-1927, London, Hutchinson, 1970.

Devlin, Diana, A Speaking Part: Lewis Casson and the Theatre of his Time, London, Hodder and Stoughton, 1982.

Devlin, Graham and Roger Tomlinson, Edinburgh – Cultural Capital: The City of Edinburgh Council Theatre Strategy, Edinburgh, The City of Edinburgh Council, 1996.

Devlin, Graham, Festivals and the City: The Edinburgh Festivals Strategy, Edinburgh, The City of Edinburgh Council, 2001.  

Dibdin, James C., Annals of the Edinburgh Stage, Edinburgh, Richard Cameron, 1888.

DiMaggio, Paul J., (ed.), Nonprofit Enterprise in the Arts, New York and Oxford, Oxford University Press, 1986.

Bristol Theatre Royal Appeal 1969 (Bristol Old Vic) Dobrée, Bonamy, The Amateur and the Theatre, London, Hogarth Press, 1947.

————, Timotheus: The Future of the Theatre, London, Kegan, Paul, Trench, Trubner, 1925.

Donohue, Joseph W., Jr., The Theatrical Manager in England and America: Player of a Perilous Game, Princeton, Princeton University Press, 1971.

Doulton, Anne-Marie, The Arts Funding Guide, London, Directory of Social Change, 1989.

Downing, Dick, In Our Neighbourhood: a regional theatre and its local community, York, Joseph Rowntree Foundation, 2001.

Dunn, Kate, Exit Through The Fireplace: The Great Days of Rep, London, John Murray, 1998.

Earl, John and Michael Sell, (eds), The Theatres Trust Guide to British Theatres 1750-1950: A Gazetteer, London, A & C Black, 2000.

Edgar, David, (ed.), State of Play, London, Faber, 1999.

Edinburgh Festival: A Review of the First Ten Years 1947-1956, Edinburgh, Edinburgh Festival Society, 1957.

Bristol Theatre Royal Appeal 1969 (Bristol Old Vic, 2) Edinburgh Festival Theatre: Interim Economic Evaluation, Glasgow, Ekos Economic Consultants, November 1995.

Edinburgh International Festival, Souvenir Programme 1964, Edinburgh, Edinburgh Festival Society, 1964.

Edinburgh, City of, Towards the New Enlightenment. A Cultural Policy for the City of Edinburgh, Edinburgh, The City of Edinburgh Council, 1999.

Edwards, Jennifer, et al, Theatre in Crisis: the Plight of Regional Theatre, London, National Campaign for the Arts, 1998.

Ellacott, Vivyan, and Antonio Peluso (eds.), The Theatrical Management Association, The First Hundred Years, 1894-1994, London, Theatrical Management Association, 1994.

Elsom, John and Nicholas Tomalin, The History of the National Theatre, London, Jonathan Cape, 1978.

Drama 1955 Elsom, Theatre Outside London, London, Macmillan, 1971.

Ervine, St. John, The Organised Theatre, A Plea in Civics, London, George Allen & Unwin, 1924.

————, The Theatre in My Time, London, Rich & Cowan, 1933.

Evans, B. Ifor and Mary Glasgow, The Arts in England, London, Falcon Press, 1949.

Evershed-Martin, Leslie, The Impossible Theatre: The Chichester Festival Theatre Adventure, Chichester, Phillimore, 1971.

————, The Miracle Theatre: The Chichester Festival Theatre’s Coming of Age, Newton Abbot, David & Charles, 1987.

Eyre, Richard, and Nicholas Wright, Changing Stages, A View of British Theatre in the Twentieth Century, London, Bloomsbury, 2000.

Eyre, Richard, The 1994 C.P. Taylor Lecture: State of the Theatre, Newcastle, Theatre Royal Trust, 2 February 1994.

————, The First Annual LAMDA Lecture: Why British Culture Needs a Healthy Dose of Elitism, London, Royal Institute of Great Britain, March 2000.

The Year's Work in the Theatre 1948-49 British Council Festival Review, Cambridge, Cambridge Festival Theatre, No. 105, May 8 1933.

Feist, Andrew and Robert Hutchison, Cultural Trends in the Eighties, London, Policy Studies Institute, 1990.

Findlater, Richard, Lilian Baylis: The Lady of the Old Vic, London, Allen Lane, 1975

————–, Pick of the Reps: Northampton, Northampton, Northampton Repertory Players Ltd., [off-print of article], London, Time and Tide, 26 October 1961.

————, The Future of the Theatre, London, The Fabian Society, [Fabian Tract 317], 1959.

————, The Unholy Trade, London, Victor Gollancz, 1952.

Findlay, Bill, (ed.), A History of Scottish Theatre, Edinburgh, Polygon, 1998.

Fishel, David, A Professional Theatre Company for Aberdeen, Liverpool, Positive Solutions, 1995.

Fisher, Mark, ‘Where the Curtain Keeps Rising’, [on the Perth Theatre centenary], Glasgow, The Herald, 4 January 2000, p.15.

Fitzgibbon, Marian and Anne Kelly, (eds.), From Maestro to Manager: Critical Issues in Arts and Culture Management, Dublin, Oak Tree Press, 1997.

Theatre 1952 Fitzsimmons, Linda, Theatre Royal York, York, York Educational Settlement, 1967.

Flannery, James W., Miss Annie F. Horniman and the Abbey Theatre, Dublin, Dolmen Press, 1970.

Foulkes, Richard, (ed.), Scenes from Provincial Stages, Essays in Honour of Kathleen Barker, London, Society for Theatre Research, 1994.

————, Northampton Repertory Theatre: Some Questions and Suggestions, Northampton, Leicester University Centre of Adult Education, 1977.

————, Repertory at The Royal: Sixty-Five Years of Theatre in Northampton 1927-92, Northampton, Northampton Repertory Players Ltd., 1992.

Fraser, David, The Royal Exchange Theatre Company, An Illustrated Record, Manchester, Royal Exchange Theatre Company, 1988.

Fraser, M.F.K., Alexandra Theatre: The Story of a Popular Playhouse, Birmingham, Cornish Brothers, 1948.

Frazier, Adrian, Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre, Berkeley, University of California Press, 1990.

Frayn, Michael, Noises Off, London, Methuen, 2000.

Frohman, Daniel, Charles Frohman, Manager and Man, London, John Lane, 1916.

Arts League of Service Annual Gallagher, Lyn, The Grand Opera House Belfast, Belfast, The Blackstaff Press, 1995.

Galvin, Angela, Peter Taylor, Sophie Withnall and Elizabeth Owen, How Much? Sex…Violence… Brilliance…Shakespeare… All for £3.50, Sheffield, Sheffield Theatres Trust, 2000.

Gaye, Freda, (ed.), Who’s Who in the Theatre, Vols.13 and 14, London, Pitman, 1961 and 1967.

Gill, Maud, See the Players, Birmingham, George Ronald, 1948.

Gilmour, Kathleen, ‘Sarah Ross (Sadie) Aitken, MBE:  A Study of a Career in Theatre’, [on the manager of the Gateway Theatre], Edinburgh, Journal of Scottish Theatre, Edinburgh, Queen Margaret University College, 2000, Vol. 1. No. 2, December 2000, http://arts.qmuc.ac.uk/ijost/Volume1_no2/K_Gilmour.htm

Glover, James M., (ed.), The Theatre Managers’ Handbook, London, The Editor, 1928.

Glasgow City Council Cultural and Leisure Services, Best Value Review of Arts and Cultural Events, Glasgow, Glasgow City Council, May 2001.

Henry Irving, 1905 Goddard, Clare, (ed.), Eighty Years of the Maddermarket 1921-2001, Norwich, Maddermarket Theatre Trust, 2001.

Goldie, Grace Wyndham, The Liverpool Repertory Theatre, 1911-1934, Liverpool, University Press of Liverpool and London, Hodder and Stoughton, 1935.

Goodie, Sheila, Annie Horniman: A Pioneer in the Theatre, London, Methuen, 1990.

Goodlad, J.S.R., A Sociology of Popular Drama, London, Heinemann, 1971.

Goorney, Howard, The Theatre Workshop Story, London, Eyre Methuen, 1981.

Gottlieb, Vera and Colin Chambers, (eds), Theatre in a Cool Climate, Charlbury, Amber Lane Press, 1999.

Goulding, Chris, The Story of the People’s, Newcastle upon Tyne, Newcastle upon Tyne City Libraries and Arts, 1991.

Edinburgh International Festival 1965 Gourley, Jack and R. C. Saunders, (eds), The Story of the Glasgow Citizens’ Theatre, 1943-1948, Glasgow, Stage and Screen Press, 1948.

Granville Barker, Harley, A National Theatre, London, Sidgwick & Jackson, 1930.

————, The Exemplary Theatre, London, Chatto & Windus, 1922.

————, The Plays of Harley Granville Barker as performed at the Edinburgh International Festival 1992, Edinburgh, Edinburgh Festival Society, 1992.

Greer, Mary K., Women of the Golden Dawn, Rebels, and Priestesses, Rochester [Vermont], Park Street Press, 1995.

Grein, J.T., The New World of the Theatre, London, Martin Hopkinson, 1924.

Griffiths, Malcolm, ‘The Drama Panel Game: an Inside View of the Arts Council’, Theatre Quarterly, London, TQ Publications, Spring 1977, Vol. VII, No.25, pp.3-19.

Guthrie, Tyrone, A Life in the Theatre, London, Hamish Hamilton, 1961.

————, Theatre Prospect, London, Wishart, 1932.

Guthrie, Tyrone, et al, The Scottish National Theatre Venture: its Birth, History, Work and Influence 1921-1948, Glasgow, Scottish National Players, 1953.

The Other Theatre by Norman Marshall, 1947 Design by Keith Vaughan Hall, Eric W., ‘An Opera House for Edinburgh’, Festival Fanfare, Edinburgh, Scotsman Publications, 1958, No.10, pp. 61 and 62.

Hall, Peter and John Goodwin, (ed.), Peter Hall’s Diaries: The Story of a Dramatic Battle, London, Hamish Hamilton, 1983.

Hall, Peter, The Necessary Theatre, London, Nick Hern Books, 1999.

Harbottle, G. Laurence, Weaving Straitjackets: Legal Sidelights on Subsidised Theatre During the Second Half of the Twentieth Century, London, Society for Theatre Research, [unpublished lecture], 18 May 1999.

Hardie, Alison, ‘Quango claim mars national theatre plans’, The Scotsman, Edinburgh, Scotsman Publications, 25 July 2001, p.5.

Harrop, Vin, (ed.), The Festival of British Theatre, Colchester, Festival of British Theatre on behalf of the Council of Regional Theatre, 1973.

Harwood, Ronald, (ed.), A Night at the Theatre, London, Methuen, 1982.

Havergal, Giles, Choosing Plays – The Conditions of Artistic Choice at the Citizens’ Theatre, Glasgow 1969-1985, [The James Arnott Memorial Lecture], Blairgowrie, Lochee Publications for the University of Glasgow, 1985.

————, Repertory Theatre: the Citizens’ Theatre 1969 to 1993, London, Royal Society of Arts Journal, Vol. CXLI, No. 5442, August-September 1993, [Lecture on the Contribution of the Performing Arts to City Regeneration, delivered 15 April 1993, Glasgow], pp. 629-637.

First production at the National Theatre, 1963 Hamlet Hayman, Ronald, The First Thrust: The Chichester Festival Theatre, London, Davis-Poynter, 1975.

————, The Set-Up: An Anatomy of English Theatre Today, London, Eyre Methuen, 1973.

Hein, Edwin T., ‘The Repertory Theatre Movement’, “The Stage” Year Book, 1912, London, Carson and Comerford, 1912, pp. 20-25.

Hepple, Peter, ‘Summer Rep’, Theatrephile. Popular Theatre Research, London, D. F. Cheshire and Sean McCarthy, 1984, Vol. 1. No.3, pp. 44-46.

Herbert, Ian, (ed.), Who’s Who in the Theatre, Vols.15 and 16, London, Pitman, 1972 and 1977.

Hewison, Robert, Culture and Consensus: England, Art and Politics since 1940, London, Methuen, 1995.

Hewison, Robert and The Henley Centre, The arts in 2010: new times new challenges for the arts, London, Arts Council of England, 2000.

Hibbard, G.R., The Neville Affair: the Facts, Nottingham, Playhouse Action Group, 1968.

Hollingshead, John, Gaiety Chronicles, London, Archibald Constable & Co, 1898.

Scottish Repertory Theatre Festival 1958 Holt, Thelma, et al., The Policy for Drama of the English Funding System, London, Arts Council of England, 1996.

Hooper, Ewan, A New Scottish Theatre: a report to the Scottish Arts Council, Edinburgh, Scottish Arts Council, 1979.

Hornsby, Anne, Octagon Theatre, Bolton, 1967-1992, The First 25 Years, Bolton, Octagon Theatre Trust, 1992.

House Of Lords, Debate on regional theatre, London, Hansard, 5 October 2000, www.parliament.the-stationeryoffice.co.uk/pa/ld199697/ldhansrd/pdvn/lds00/text/01005

‘Housing Problem’, Drama, London, British Drama League, New Series, Autumn 1961, No. 62, p.17. 

Howard, Diana, London Theatres and Music Halls 1850-1950, London, Library Association, 1970.

Howe, P.P., The Repertory Theatre, A Record and a Criticism, London, Martin Secker, 1910.

Shakespeare Memorial Theatre 1956 Hunt, Bampton, (ed.), The Green Room Book or Who’s Who on the Stage, London, T. Sealey Clark, 1906.

Hunt, Bishop Carelton, The Development of the Business Corporation in England 1800‑1867, Cambridge MA, Harvard University Press, 1936.

Hurren, Kenneth, Theatre Inside Out, London, W.H.Allen, 1977.

Hutchinson, David, The Modern Scottish Theatre, Glasgow, Moleindar Press, 1977.

————, Scottish Theatre and Drama in the Twentieth Century: a critical and historical study, MLitt thesis, Glasgow, University of Glasgow, 1975.

Iden Payne, Ben, A Life in the Wooden O: Memoirs of the Theatre, New Haven and London, Yale University Press, 1977.

Iles, P. R., Issues in Theatrical Management: Howard and Wyndham and the Evolution of the British Touring Circuit, MPhil thesis, Glasgow, University of Glasgow, 1997.

Isaacs, Sidney, The Law Relating to Theatres, Music Halls and other Public Entertainments, and to the Performers therein, including the Law of Musical and Dramatic Copyright, London, Stevens and Sons, 1927. 

Frank Benson's Company Stratford Upon Avon 1902 Ivamy, E. R. Hardy, Show Business and the Law, London, Stevens & Sons, 1955.

Jackson, Tony, (ed.), Learning Through Theatre: New Perspectives on Theatre in Education, London, Routledge, 1993.

Jenkins, Hugh, D.I.Colley, A. J. Waugh and Reginald Birks, Conference on Civic Theatres: Their Housing and Administration. Programme, London, Association of Municipal Corporations and Theatres Advisory Council, 24 and 25 February 1965. [plus conference proceedings reported under same title in supplement to The Stage and Television Today, London, Carson and Comerford, 4 March 1965].

Jeremy, David J., A Business History of Britain, 1900-1990s, Oxford, Oxford University Press, 1998.

Jerrams, Richard A., Weekly Rep: a Theatrical Phenomenon, Droitwich, Peter Andrew, 1991.

Jones, Henry Arthur, The Foundations of a National Drama: A Collection of Lectures, Essays, Speeches, Delivered and Written in the Years 1896-1912, London, Chapman & Hall, 1913.

Kavanagh, Peter, The Story of the Abbey Theatre, New York, Devin-Adair Company, 1950, Orono, National Poetry Foundation at the University of Maine, 1984.

Keir, David, (ed.), The Third Statistical Account of Scotland. Vol. XV: The City of Edinburgh, Glasgow, Collins, 1966.

Citizens Theatre Yearbook 2 Kemp, Robert, David Mather, et al, Housing the Arts in Scotland, Report of the Committee of Enquiry set up by the Scottish Committee of the Arts Council of Great Britain, London, Arts Council of Great Britain, 1958.

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—————, Civic Theatre Design, London, Dobson, 1949.

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Citizens Theatre 1979 Mackintosh, Iain, Architecture, Actor and Audience, London, Routledge, 1993.

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————, The Producer and the Play, London, Davis-Poynter, 1957.

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————, What is a Citizens’ Theatre?  [Proceedings of the Royal Philosophical Society of Glasgow], Dundee, Lochee Publications, 1984.

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————, Who’s Who in the Theatre, Vols. 1 to 12, London, Pitman, 1912 to 1957.

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————, The Last Actor-Managers, London, Methuen, 1950 and White Lion edition, 1974.

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————, Building Jerusalem: Art, Industry and the British Millennium, Amsterdam, Harwood Academic Publishers, 1999.

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————, The Theatre Industry: Subsidy, Profit and the Search for New Audiences, London, Comedia, 1985.

————, Vile Jelly: The Birth, Life and Lingering Death of the Arts Council of Great Britain, Doncaster, Brynmill Press, 1991.

————, The Arts in a State. A study of Government Arts Policies from Ancient Greece to the Present, Bristol, Bristol Classical Press, 1988.

————, The West End. Mismanagement and Snobbery, Eastbourne, John Offord, 1983.

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————, Ring Down the Curtain: A Fascinating Record of Birmingham Theatres and Contemporary Life through Three Centuries, Luton, Cortney Publications, 1980.

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